In the mid-19th century, a new location appeared on the artistic and social map – Zakopane. Not only was it a holiday destination, but above all a fashionable resort in which, under the pretext of tuberculosis treatment, the artistic and intellectual Parnassus used to meet.
The popularity continues, and with time Zakopane becomes, as described by Stanisław Ignacy Witkiewicz, 'a true paradise, a horrid orangery (…) a general production plant of a peculiar, nota bene purely Polish drug, 'zakopiate'.
The list of its visitors is very long, and each year more artists flock to Zakopane for longer or shorter periods of time, some to stay permanently. The 'permanent' was very 'temporary' – observed Rafał Malczewski.
This fashion resulted, among other things, in the characteristic Tatra epic painted by the artists of successive generations, which implied both their fascination with the impressiveness of the mountains and the idea of freedom hidden (dormant) in their rocks – so important in those days.