Obiekt dostępny dla niepełnosprawnych ruchowo
Dostępny dla niepełnosprawnych wzrokowo
Dostępny dla niepełnosprawnych słuchowo
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In the Middle Ages, stained glass windows in churches were a huge artistic, technical and financial challenge, thus confirming the principals' prestige. Early Modern was a period when these stained glass windows were being removed, so that a very small percentage has survived to this day. Despite the fascination it stirred in the nineteenth century, stained glass was regarded as a decorative art and was much underrated, and still is - like the light and color that combine to create it - a phenomenon as fascinating as it is elusive.
Woodcut portrait of Mikołaj Rej from the Krakow edition of Zwierzyniec (Bestiary) of 1574, and the lithograph bust of Adam Mickiewicz from the Warsaw edition of Poetry of 1833 – these and other portraits of wordsmiths are shown at the exhibition devoted to the images of authors and their works.
The exhibition, whose focus is the painter, graphic designer, stage designer and promoter of art Jan Hrynkowski (1891–1971) is not only this great artist’s monograph, but also an attempt of looking at chosen aspects of Polish artistic life of the first half of the twentieth century through his eyes.
The Boris Voznitsky Lviv National Art Gallery in Lviv holds an extraordinary collection of works by Stanisław Wyspiański, including four pastel portraits from the years 1893–1894 as well as sixty four loose sketches and drawing studies.
Exhibition of Stanisław Wyspiański’s works from the collection of the National Museum in Krakow.
The exhibition tells the story of a short, yet vivid existence of the first Krakow Group, of the life and works of colorful and outstanding youths, whose intertwined fates were part of the history of Polish avant-garde. Aleksander (Sasza) Blonder (pseudonym André Blondel), Blima (Berta) Grünberg, Maria Jarema, Franciszek Jaźwiecki, Leopold Lewicki, Adam Marczyński, Stanisław Osostowicz, Szymon Piasecki, Mojżesz Schwanenfeld, Bolesław Stawiński, Jonasz Stern, Eugeniusz Waniek, Henryk Wiciński, Aleksander Winnicki – these are the members of the first pre-war Krakow Group.
Counterfeiting coins is as old as the coins themselves. Since the beginning, people tried to improve their economic existence by making their own money, infringing the rights of their official issuers.
Józef Czapski: painting, drawing, diaries from the collection of the National Museum in Krakow, as well as the collections of Krystyna Zachwatowicz-Wajda and Andrzej Wajda, is the most complete presentation of Józef Czapski’s paintings at the Józef Czapski’s Pavilion.
On 1 February 2013, the first anniversary of the death of Wisława Szymborska, the exhibition
Szymborska’s Drawer opened at Szołayski House, a Department of the National Museum in Krakow (pl. Szczepanski 9).