{"id":19810,"date":"2026-04-16T13:12:20","date_gmt":"2026-04-16T13:12:20","guid":{"rendered":"https:\/\/new.mnk.pl\/wystawy\/wyspianski\/"},"modified":"2026-04-16T13:21:52","modified_gmt":"2026-04-16T13:21:52","slug":"wyspianski","status":"publish","type":"wystawy","link":"https:\/\/mnk.pl\/en\/wystawy\/wyspianski\/","title":{"rendered":"Wyspia\u0144ski"},"content":{"rendered":"
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The National Museum in Krak\u00f3w has gathered the largest and most valuable collection of works by Stanis\u0142aw Wyspia\u0144ski (1869-1907) \u2014 one of the most important, original and appreciated artist from the turn of the 19th and 20th centuries, who belongs among such artists as Klimt, Mucha and Gaudi; the exhibition comprises of about 900 works.<\/p>\n

Around 500 pieces from the collection will be displayed as part of the largest exhibition of the artist\u2019s works in Poland for 50 years (the last large display of his works from the Krak\u00f3w collection was held at the Main Building of the National Museum in Krak\u00f3w in 2000).

The 110th anniversary of Stanis\u0142aw Wyspia\u0144ski\u2019s death, which occured in 2017, is an excellent opportunity to remind ourselves about the creative output of this great poet and painter, playwright, designer, drawer, theatre reformist, graphic designer and scenographer. Just how Gustav Klimt\u2019s life was linked to Vienna, Stanis\u0142aw Wyspia\u0144ski\u2019s whole life was linked to Krak\u00f3w \u2014 its churches and public utility buildings, for which he designed innovative, monumental pieces. The exhibition is also an introduction to a future permanent exhibition of his works in the renovated Main Building of the National Museum in Krak\u00f3w. While still alive, Wyspia\u0144ski donated some masterpieces to the Museum: the stained glass window designs for the Krak\u00f3w Cathedral. In the year of the artist\u2019s death, a committee was established with the aim to collect pieces representing the genius artist\u2019s legacy at the National Museum. The majority of the pieces collected are drawings, scenographic and typographic designs, but the works also include an exquisite collection of portrays and landscapes, mostly pastels, at which Wyspia\u0144ski was an absolute master, as well as a set of ornamental designs for the Franciscan Church in Krak\u00f3w, the Wawel Cathedral and the Medical Association House. Apart from the above mentioned works, the exhibition will feature pieces of furniture, fabrics and other everyday objects created by Wyspia\u0144ski, as well as his sculptures, graphic designs, art books and even some of the artist\u2019s personal belongings.

The exhibition will be accompanied by a beautifully illustrated catalogue with descriptions of the greatest works by the famous author of “The Wedding” play from such disciplines as painting, sculpture, drawing, graphic design and applied arts.<\/p>\n Author:<\/span> Magdalena Laskowska <\/span><\/div>\n\n\n

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\"Pastelowy
Stanis\u0142aw Wyspia\u0144ski, Helenka z wazonem, 1902 r.<\/figcaption><\/figure>\n\n\n\n
\"Pastelowy
Stanis\u0142aw Wyspia\u0144ski, \u015api\u0105cy Mietek, 1902 r.<\/figcaption><\/figure>\n\n\n\n
\"Portret
Stanis\u0142aw Wyspia\u0144ski, Portret J\u00f3zia Feldmana, 1905 r.<\/figcaption><\/figure>\n\n\n\n
\"Pionowy,
Stanis\u0142aw Wyspia\u0144ski, Polonia, 1894 r.<\/figcaption><\/figure>\n\n\n\n
\"Widok
Stanis\u0142aw Wyspia\u0144ski, Widok z okna na Kopiec Ko\u015bciuszki. Szary dzie\u0144, 1905 r.<\/figcaption><\/figure>\n\n\n\n
\"Pastelowy
Stanis\u0142aw Wyspia\u0144ski, Mietek oparty na r\u0119kach, 1904 r.<\/figcaption><\/figure>\n\n\n\n
\"Abstrakcyjny
Stanis\u0142aw Wyspia\u0144ski, Apollo. System Kopernika, 1904 r.<\/figcaption><\/figure>\n\n\n\n
\"Malarski
Stanis\u0142aw Wyspia\u0144ski, Autoportret z \u017con\u0105, 1904 r.<\/figcaption><\/figure>\n\n\n\n
\"Pastelowy
Stanis\u0142aw Wyspia\u0144ski, Dziewczynka w niebieskim kapeluszu, 1895 r.<\/figcaption><\/figure>\n\n\n\n
\"Obraz
Stanis\u0142aw Wyspia\u0144ski, Macierzy\u0144stwo, 1905 r.<\/figcaption><\/figure>\n\n\n\n
\"Rysunek
Stanis\u0142aw Wyspia\u0144ski, Nasturcje, 1897 r.<\/figcaption><\/figure>\n\n\n\n
\"Widok
Stanis\u0142aw Wyspia\u0144ski, Ko\u015bci\u00f3\u0142 Panny Maryi, 1905 r.<\/figcaption><\/figure>\n\n\n\n
\"Widok
Stanis\u0142aw Wyspia\u0144ski, Poranek pod Wawelem (Planty o \u015bwicie), 1894 r.<\/figcaption><\/figure>\n\n\n\n
\"Wysoki
Stanis\u0142aw Wyspia\u0144ski, B\u0142ogos\u0142awiona Salomea, przed 1902<\/figcaption><\/figure>\n\n\n\n
\"M\u0119\u017cczyzna<\/figure>\n\n\n\n
\"Wn\u0119trze<\/figure>\n\n\n\n
\"M\u0119\u017cczyzna<\/figure>\n\n\n\n
\"Dwie<\/figure>\n\n\n\n
\"Du\u017ca<\/figure>\n\n\n\n
\"Wn\u0119trze<\/figure>\n\n\n\n
\"Osoba<\/figure>\n\n\n\n
\"Cztery<\/figure>\n\n\n\n
\"Dwie<\/figure>\n\n\n\n
\"Ludzie<\/figure>\n\n\n\n
\"W<\/figure>\n\n\n\n
\"Kobieta<\/figure>\n\n\n\n
\"Dziewczynka<\/figure>\n\n\n\n
\"M\u0119\u017cczyzna<\/figure>\n<\/figure>\n\n\n\n
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