{"id":19350,"date":"2026-04-16T12:14:06","date_gmt":"2026-04-16T12:14:06","guid":{"rendered":"https:\/\/new.mnk.pl\/wystawy\/mnk-gmach-glowny\/"},"modified":"2026-04-16T12:24:58","modified_gmt":"2026-04-16T12:24:58","slug":"mnk-gmach-glowny","status":"publish","type":"wystawy","link":"https:\/\/mnk.pl\/en\/wystawy\/mnk-gmach-glowny\/","title":{"rendered":"Wyspia\u0144ski\u2019s treasury"},"content":{"rendered":"<div class=\"cycle-slide cycle-sentinel\">\n<p class=\"text size-small\"><strong>Exhibition of Stanis\u0142aw Wyspia\u0144ski\u2019s works from the collection of the National Museum in Krakow.<\/strong><\/p>\n<\/div>\n<div class=\"cycle-slide cycle-slide-active\">\n<p class=\"text size-small\"><strong>Stanis\u0142aw Wyspia\u0144ski (1869\u20131907) \u2013 playwright, poet, painter, graphic artist, theatre reformer and interior designer \u2013 is one of the greatest and most versatile Polish artists<\/strong><br \/><br \/>The National Museum in Krakow holds the largest collection of works of this eminent artist, consisting of more than 1,000 exhibits. The set of Wyspia\u0144ski\u2019s pastel portraits and landscapes is outstanding \u2013 pastel being a technique in which Wyspia\u0144ski achieved absolute mastery \u2013 just like the collection of designs for the interior decoration of the Franciscan church in Krakow, cathedrals in Lviv and Krakow and the Medical Society House in Krakow. The collection also includes pencil drawings, charcoal studies, ink sketches, watercolours, oil paintings, prints, graphic design and artisanal handicraft.<br \/><br \/>May 2019 saw the closure of the monumental exhibition Wyspia\u0144ski which attracted crowds of visitors. Intending to give the public permanent access to Wyspia\u0144ski\u2019s painting, we have decided to present a major portion of this large collection in a room within the space of the future Gallery of Art of the 20th and 21st Centuries on the Main Building\u2019s second floor. The exhibition has been designed as a storeroom of works of art with enabled access to masterpieces presented within periodic displays, respecting conservatorial requirements.<br \/><br \/>Pastel paintings are displayed as mosaics on the walls; the monumental stained-glass cartoons are mounted on raised platforms; and loose drawings and sketchbooks are arranged in cabinets and bookshelves.<br \/><br \/>&#8216;WYSPIA\u0143SKI&#8217;S TREASURY&#8217; IS A STUDIO SPACE WHICH HAS ON THIS EXCEPTIONAL<br \/>OCCASION BEEN MADE ACCESSIBLE TO THE PUBLIC AND WHICH PRESENTS WORKS BY<br \/>THE ARTIST IN THE THREE SUCCESSIVE CYCLES DUE THE NEED FOR ONGOING<br \/>CONSERVATION WORK. IN EACH CYCLE WE DISPLAY ONE THIRD OF THE EXHIBITS<br \/>INCLUDED IN THE COLLECTION.<br \/><br \/>1st CYCLE: 15 November 2019 &#8211; 1 December 2019<br \/>2nd CYCLE: 2 December 2019 &#8211; 19 January 2020<br \/>3rd CYCLE: 20 January 2020 &#8211; 01 March 2020<br \/><br \/><br \/><strong>1st CYCLE: 15 November 2019 &#8211; 1 December 2019<\/strong><br \/><strong>1. Roses. Design for \u00a0painted decoration for the Franciscan Church in Krakow, 1897<\/strong><br \/>pastel, paper <br \/>gift from Feliks Jasie\u0144ski, 1920<br \/><br \/><strong>2. Nasturtiums. Design for painted decoration for the Franciscan Church in Krakow, 1897<\/strong><br \/>pastel, paper <br \/><br \/><strong>3. Plum flowers. Design for painted decoration for the parish church in Biecz, 1896<\/strong><br \/>pastel, paper<br \/><br \/><strong>4. Sow thistle flowers. Design for painted decoration for the parish church in Biecz, 1896<\/strong><br \/>pastel, paper<br \/><br \/><strong>5. Spikes of wheat and rye. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>6. A butterfly, 1896<\/strong><br \/>pastel, paper<br \/><br \/><strong>7. A motif of a peacock feather. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong> <br \/>pastel, paper<br \/><br \/><strong>8. Lilies. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>9. Motif of styled lilies. Design for a candlestick, 1896<\/strong> <br \/>pastel, paper <br \/><br \/><strong>10. Forget-me-nots. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper (with blotting paper glued on the other side) <br \/><br \/><strong>11. Peacock\u2019s eye. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>12. Bird\u2019s- food trefoil (top part) and red dead- nettle (bottom part). Design for paintied decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper (with the blotting paper glued to the other side)<br \/><br \/><strong>13. Rosemary. Design for painted decoration for the Franciscan Church in Krakow, 1895<br \/><\/strong>\u00a0pastel, paper<br \/><br \/><strong>14. Robinia pseudoacacia. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>15. Rosary. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>16. An ornamental motif. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong> <br \/>pastel, paper<br \/><br \/><strong>17. Sedum acre. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>18. Vine. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong> <br \/>pastel, paper<br \/><br \/><strong>19. A geometric motif. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>20. An ornamental motif. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong> <br \/>pastel, paper<br \/><br \/><strong>21. Ornamental motifs. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper <br \/><br \/><strong>22. Kaczkowane krakowiaki (geranium motives). Design for the polychrome for the the Medical Society House in Krakow (the meeting room), 1904<\/strong><br \/>pastel, paper<br \/><br \/><strong>23. Achilles stopped by Pallas pulling his hair. A drawing to \u2018The Iliad\u2019 by Homer, 1896<\/strong> <br \/>crayon, paper<br \/>private property \u2013 deposited at the NMK<br \/><br \/><strong>24. Virtues and Vices. Stained-glass design for the window of St Mary\u2019s Church presbytery in Krakow, 1890<\/strong> <br \/>watercolour, pencil, ink, paper <br \/>gift from Tadeusz Stryje\u0144ski, 1903<br \/><br \/><strong>25. Eagle and Ibex. An unfinished design for the stained-glass for the Medical Society House in Krakow (for the side window on the left), 1904<\/strong><br \/>pastel, paper<br \/><br \/><strong>26. Portrait of W\u0142adys\u0142aw Mickiewicz, 1904<\/strong><br \/>charcoal, paper<br \/><br \/><strong>27. Portrait of Antoni Lange, 1899<\/strong><br \/>charcoal, crayon, paper <br \/>gift from Feliks Jasie\u0144ski, 1920<br \/><br \/><strong>28. Sewer (Ignacy Maciejowski), 1900<\/strong> <br \/>charcoal, paper (with a watermark)<br \/><br \/><strong>29. Apollo. Copernicus\u2019s System. Design for a stained \u2013 glass fot the Medical Society House in Krakow, 1904<\/strong><br \/>pastel, paper<br \/>gift from Professor Julian Nowak, 1946<br \/><br \/><strong>30. Portrait of Julian Nowak, 1904<\/strong> <br \/>pastel, paper<br \/>private property \u2013 deposited at the NMK<br \/><br \/><strong>31. Interior of Church of Saint \u00c9tienne in Paris, 1892<\/strong><br \/>oil, wood plank<br \/><br \/><strong>32. Barges on the Seine, 1892<\/strong><br \/>oil, wooden panel<br \/><br \/><strong>33. Luxembourg Garden in Paris, 1892<\/strong><br \/>oil, wooden panel<br \/><br \/><strong>34. View of the Barbican and the Florian Gate from Zacisze Street, 1894<\/strong> <br \/>oil, canvas<br \/><br \/><strong>35. View of theJuliusz S\u0142owacki Theatre in Krakow from Zacisze Street, 1894<\/strong> <br \/>oil, canvas <br \/><br \/><strong>36. A Boy. Nude, 1894<\/strong><br \/>oil, canvas permanently glued to cardboard<br \/>private property \u2013 deposited at the NMK<br \/><br \/><strong>37. A Krakow girl. Study for a stained-glass \u2018Polonia\u2019 for Lviv Cathedral, 1893<\/strong> <br \/>pastel, paper<br \/><br \/><strong>38. Stained- glass design \u2018Polonia\u2019 for Lviv Cathedral, 1893<\/strong> <br \/>pastel, paper<br \/><br \/><strong>39. Stained-glass design \u2018King John II Casimir Vasa\u2019s Oath\u2019 for Lviv Cathedral, 1892<\/strong><br \/>charcoal, paper <br \/>\u00a0[the design consists of two separate horizontal straps, each having two parts]<br \/>gift from Feliks Jasie\u0144ski, 1920<br \/><br \/><strong>40. Study of flowers for a stained-glass \u2018Polonia\u2019 for Lviv Cathedral, 1893<\/strong> <br \/>pastel, paper<br \/><br \/><strong>41. Study of the Archangel Michael for a stained-glass \u2018Polonia\u2019 for Lviv Cathedral, 1893<\/strong> <br \/>pastel, paper<br \/><br \/><strong>42. Henry the Pious. Design for the stained-glass window in the chancel of the Krakow Cathedral, 1900<\/strong> <br \/>pastel, paper<br \/>gift from the artist, 1905 <br \/><br \/><strong>43. Arabesque. Drawing of a mural from the Holy Cross Church in Krakow, 1896<\/strong> <br \/>pastel, paper <br \/>donated by the Voivodship National Archive in Krakow, 1954 <br \/><br \/><strong>44. Arabesque. Drawing of a mural from the Holy Cross Church in Krakow, 1896<\/strong> <br \/>pastel, paper <br \/><br \/><strong>45. Arabesque. Drawing of a mural from the Holy Cross Church in Krakow, 1896<\/strong> <br \/>pastel, paper <br \/>donated by the Voivodship National Archive in Krakow, 1954 <br \/><br \/><strong>46. St Thomas Aquinas. Artistic reconstruction of a stained-glass window from the Dominican Church in Krakow, 1895\u20131896<\/strong><br \/>ink, gouache, crayon, tracing paper <br \/><br \/><strong>47. Vergin and Child. Artistic reconstruction of a stained-glass window from the Dominican Church in Krakow, 1895\u20131896<\/strong><br \/>ink, gouache, crayon, tracing paper<br \/><br \/><strong>48. Crucifixion. Artistic reconstruction of a stained-glass window from the Dominican Church in Krakow, 1895\u20131896<\/strong><br \/>ink, gouache, crayon, pencil, tracing paper<br \/><br \/><strong>49. St Mary Magdalene. Artistic reconstruction of a stained-glass window from the Dominican Church in Krakow, 1895\u20131896<\/strong><br \/>ink, gouache, tracing paper <br \/><br \/><strong>50. St Dorothy. Artistic reconstruction of a stained-glass window from the Dominican Church in Krakow, 1895\u20131896<\/strong><br \/>ink, pencil, crayon, tracing paper <br \/><br \/><strong>51. St Andrew. Artistic reconstruction of a stained glass window from the Dominican Church in Krakow, 1895\u20131896<\/strong><br \/>ink, crayon, gouache, tracing paper <br \/><br \/><strong>52. St Catherine of Alexandria. Artistic reconstruction of a stained glass window from the Dominican Church in Krakow, 1895\u20131896<\/strong><br \/>ink, gouache, pencil, tracing paper<br \/><br \/><strong>53. St Margaret. Artistic reconstruction of a stained- glass window from the Dominican Church in Krakow, 1895\u20131896<\/strong><br \/>gouache, ink, crayon, tracing paper<br \/><br \/><strong>54. Arabesque. Drawing of a mural from the Holy Cross Church in Krakow, 1896<\/strong> <br \/>pastel, paper <br \/><strong><br \/><br \/>2nd CYCLE: 2 December 2019 &#8211; 19 January 2020<\/strong><br \/><strong>1. Vicia dumetorum (top part), vicia sivata (bottom part). Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>2. Zig-zags and peacock\u2019s eyes. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>3. Stars. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper <br \/><br \/><strong>4. An ornamental motif. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong> <br \/>pastel, paper<br \/><br \/><strong>5. Checkered pattern. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper <br \/><br \/><strong>6. A triangular motif. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong> <br \/>pastel, paper<br \/><br \/><strong>7. A geometric motif. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>8. Scales. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>9. Stars. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper <br \/><br \/><strong>10. Archers. Top part of the composition \u2018The Fall of Angels\u2019. Design for painted decoration for the Franciscan Church in Krakow, 1896<\/strong><br \/>pastel, paper<br \/><br \/><strong>11. Fallen angels. Bottom part of the composition \u2018The Fall of Angels\u2019. Design for painted decoration for the Franciscan Church in Krakow, 1896<\/strong><br \/>pastel, paper<br \/><br \/><strong>12. Yellow nettle. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper <br \/><br \/><strong>13. Sunflowers. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong> <br \/>pastel, paper<br \/><br \/><strong>14. Broadleaf plantain (leaf and spikes). Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>15. Chelidonium. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper <br \/><br \/><strong>16. Poppies. Design painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>17. Pods and a peacock\u2019s eye. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>18. Palmettes. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, pencil, paper<br \/><br \/><strong>19. Hearts \u2013 sanseveiria. Design for\u00a0 painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>20. A styled peackock feather. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper <br \/><br \/><strong>21. A Star. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>22. Ornamental motifs. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper <br \/><br \/><strong>23. An ornamental motif. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong> <br \/>pastel, paper<br \/><br \/><strong>24. Poppies. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>25. Meanders. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>26. Triangles. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong> <br \/>pastel, paper <br \/><br \/><strong>27. Portrait of Adam Chmiel, 1899<\/strong> <br \/>pastel, paper<br \/><br \/><strong>28. Portrait of Kazimierz Lewandowski, 1898<\/strong><br \/>pastel, paper<br \/><br \/><strong>29. Portrait of Jan Raczy\u0144ski, 1904<\/strong><br \/>pastel, paper<br \/><br \/><strong>30. Self-portrait, 1897<\/strong><br \/>pastel, paper<br \/><br \/><strong>31. Head of a Jew, 1897<\/strong> <br \/>pastel, paper<br \/>gift from Feliks Jasie\u0144ski, 1920<br \/><br \/><strong>32. Portrait of Antoni Kamie\u0144ski, 1900<\/strong><br \/>pastel, paper<br \/>private property \u2013 deposited at the NMK<br \/><br \/><strong>33. Motherhood, 1905<\/strong><br \/>pastel, paper<br \/>gift from Feliks Jasie\u0144ski, 1920<br \/><br \/><strong>34. Semi-nude of a Woman, , ok. \/ ca 1894<\/strong> <br \/>oil, wooden panel<br \/>private property \u2013 deposited at the NMK<br \/><br \/><strong>35. Stage design for Act I of the drama \u2018Ska\u0142ka\u2019, 1905<\/strong><br \/>crayon, ink, paper<br \/><br \/><strong>36. Mietek\u2019s Head, 1901<\/strong><br \/>pastel, paper <br \/>gift from Eustachy Jaxa Chronowski, 1914<br \/><br \/><strong>37. The Last Guest, 1897<\/strong><br \/>pastel, paper<br \/>private property \u2013 deposited at the NMK<br \/><br \/><strong>38. Poster for Stanis\u0142aw Przybyszewski\u2019s lecture \u2018Mysticism and Maeterlinck\u2019 and Maurice Maeterlinck\u2019s play \u2018The Interior\u2019 on 20th February 1899 in the Municipal Theatre in Krakow, 1899<\/strong><br \/>coloured crayon- and- brush transfer lithograph, paper<br \/>gift from Feliks Jasie\u0144ski, 1920 <br \/><br \/><strong>39. J\u00f3zef Mehoffer Posing as King Casimir the Great. A study for J\u00f3zef Mehoffer\u2019s stained-glass for the Latin Cathedral in Lviv, 1893<\/strong> <br \/>charcoal, paper<br \/>private property \u2013 deposited at the NMK<br \/><br \/><strong>40. Double Portrait of J\u00f3zef Mehoffer in his Paris atelier. A study for J\u00f3zef Mehoffer\u2019s stained- glass for the Latin Cathedral in Lviv, 1893<\/strong> <br \/>charcoal, paper <br \/><br \/><strong>41. J\u00f3zef Mehoffer in a Historical Costume. A study for J\u00f3zef Mehoffer\u2019s stained-glass for the Latin Cathedral in Lviv, 1893<\/strong> <br \/>crayon, paper<br \/>private property \u2013 deposited at the NMK<br \/><br \/><strong>42. Portrait of a Doctor, 1904<\/strong> <br \/>pastel, paper<br \/>bequest of doctor Zygmunt Ehrenpreis, 1930<br \/><br \/><strong>43. Self-portrait, 1903<\/strong><br \/>pastel, paper<br \/><br \/><strong>44. Portrait of Kazimierz Stankiewicz, the Artist\u2019s Uncle, 1895<\/strong> <br \/>pastel, paper<br \/>gift from Janina Stankiewicz, artist\u2019s aunt, 1915<br \/><br \/><strong>45. Self-portrait with Wife, 1904<\/strong><br \/>pastel, laid paper<br \/>gift from Feliks Jasie\u0144ski, 1920 <br \/><br \/><strong>46. Sleeping Mietek, 1902<\/strong><br \/>pastel, paper<br \/><br \/><strong>47. Self-portrait, 1907<\/strong><br \/>crayon, paper<br \/>gift from Feliks Jasie\u0144ski, 1920<br \/><br \/><strong>48. Self-portrait (verso). A page from a sketchbook, 1890<\/strong> <br \/>pencil, paper<br \/>bequest of Dr Zygmunt Ehrenpreis, 1930<br \/><br \/><strong>49. A Girl in a Blue Hat, 1895<\/strong><br \/>pastel, paper<br \/>gift from Dr Teodor and Zeneida Dunin, 1909<br \/><br \/><strong>50. Little Helen with a Vase, 1902<\/strong><br \/>pastel, paper<br \/>gift from Feliks Jasie\u0144ski, 1920 <br \/><br \/><strong>51. Self- Portrait (recto). A page from a sketchbook, 1890<\/strong><br \/>pencil, paper<br \/>bequest of Dr Zygmunt Ehrenpreis, 1930<br \/><br \/><strong>52. Mietek Leaning on His Arms, 1904<\/strong> <br \/>pastel, paper <br \/>gift from Elza Krausowa n\u00e9e Sare, 1951<br \/><br \/><strong>53. Self- Portrait. A page from a sketchbook, 1890<\/strong><br \/>pencil, paper<br \/>bequest of Maria Feldman, 1954<br \/><br \/><strong>54. Little Helen\u2019s Head, 1900<\/strong><br \/>pastel, paper<br \/>gift from Feliks Jasie\u0144ski, 1920<br \/><br \/><strong>55. Portrait of J\u00f3zio Feldman, 1905<\/strong> <br \/>pastel, paper <br \/>gift from Maria Feldmanowa, 1956<br \/><br \/><strong>56. The Interior of Church of Saint \u00c9tienne in Paris, 1892<\/strong><br \/>oil, wood plank<br \/><br \/><strong>57. Barges on the Seine, 1892<\/strong><br \/>oil, wooden panel<br \/><br \/><strong>58. Luxembourg Garden in Paris, 1892<\/strong><br \/>oil, wooden panel<br \/><br \/><strong>59. View of the Barbican and the Florian Gate from Zacisze Street, 1894<\/strong> <br \/>oil, canvas<br \/><br \/><strong>60. View of theJuliusz S\u0142owacki Theatre in Krakow from Zacisze Street, 1894<\/strong> <br \/>oil, canvas <br \/><br \/><strong>61. Adoration of the Magi (left side). Artistic reconstruction of a stained- glass window from the Dominican Church in Krakow, 1895\u20131896<\/strong><br \/>ink, gouache, crayon, tracing paper <br \/><br \/><strong>62. Adoration of the Magi (right side). Artistic reconstruction of a stained- glass window from the Dominican Church in Krakow, 1895\u20131896<\/strong><br \/>gouache, ink, crayon, tracing paper<br \/><br \/><strong>63. Maria Enthroned with an Angel from the Scene of the Coronation of Mary, Mother of Jesus (left side). Artistic reconstruction of a stained- glass window from the Dominican Church in Krakow, 1895\u20131896<\/strong><br \/>ink, gouache, crayon, tracing paper <br \/><br \/><strong>64. Christ Enthroned with an Angel from the Scene of the Coronation of the Virgin (right side). Artistic reconstruction of a stained- glass window from the Dominican Church in Krakow, 1895\u20131896<\/strong><br \/>ink, gouache, crayon, tracing paper<br \/><br \/><strong>65. A sketch for a figure from\u00a0 \u2018Polonia\u2019. Design for a stained- glass window for Lviv Cathedral, 1892<\/strong> <br \/>pencil, ink, paper<br \/><br \/><strong>66. Design for a stained-glass \u2018God the Father\u2019 window for the Franciscan Church in Krakow, 1897<\/strong> <br \/>pencil, crayon, paper<br \/>private property \u2013 deposited at the NMK<br \/><br \/><strong>67. A sketch of the figure of God the Father for a stained-glass window in the Franciscan Church in Krakow, 1897<\/strong> <br \/>ink, paper <br \/>private property \u2013 deposited at the NMK<br \/><br \/><strong>68. Wanda. Design for a stained-glass window in the chancel of the Krakow Cathedral, 1900<\/strong> <br \/>pastel, paper<br \/><br \/><strong>69. Virgin and Child. Artistic reconstruction of a stained-glass window from the Dominican Church in Krakow, 1895\u20131896<\/strong><br \/>ink, gouache, crayon, tracing paper<br \/><br \/><strong>70. St Mary Magdalene. Artistic reconstruction of a stained- glass window from the Dominican Church in Krakow, 1895\u20131896<\/strong><br \/>ink, gouache, tracing paper <br \/><br \/><strong>71. St Stanislaus. Artistic reconstruction of a stained- glass window from the Dominican Church in Krakow, 1895- 1896<\/strong><br \/>ink, gouache, crayon, tracing paper<br \/><br \/><strong>72. Casimir the Great. Design for a stained-glass window in the chancel of the Krakow Cathedral, 1900<\/strong> <br \/>pastel, paper<br \/><br \/><strong>73. Arabesque. Drawing of a mural from the Holy Cross Church in Krakow, 1896<\/strong> <br \/>pastel, paper <br \/>donated by the Voivodship National Archive in Krakow, 1954 <br \/><br \/><strong>74. Arabesque. Drawing of a mural from the Holy Cross Church in Krakow, 1896<\/strong> <br \/>pastel, paper <br \/><br \/><strong>75. Arabesque. Drawing of a mural from the Holy Cross Church in Krakow, 1896<\/strong><br \/>pastel, paper <br \/>donated by the Voivodship National Archive in Krakow, 1954 <br \/><br \/><strong>76. Annunciation to Joachim. Design for the western window panes in St Mary\u2019s Church in Krakow, 1891<\/strong><br \/>watercolour, pencil, ink, paper<br \/><br \/><strong>77. Spotkanie przy Z\u0142otej Bramie. Projekt kwatery do okna zachodniego w ko\u015bciele Mariackim w Krakowie \/ Meeting at the Golden Gate. Design for the western window panes in St Mary\u2019s Church in Krakow, 1891<\/strong><br \/>watercolour, pencil, ink, paper<br \/>\u00a0<br \/><strong>78. Annunciation. Design for the western window panes in St Mary\u2019s Church in Krakow, 1891<\/strong><br \/>watercolour, pencil, ink, paper <br \/><br \/><strong>79. Visitation. Design for the western window panes in St Mary\u2019s Church in Krakow, 1891<\/strong><br \/>watercolour, pencil, ink, paper<br \/><br \/><strong>80. The Angel Commanding Joseph to Flee to Egypt. Design for the western window panes in St Mary\u2019s Church in Krakow, 1891<\/strong><br \/>watercolour, pencil, ink, paper<br \/><br \/><strong>81. Arabesque. Drawing of a mural from the Holy Cross Church in Krakow, 1896<\/strong> <br \/>pastel, paper <br \/><br \/>\u00a0<strong>3rd CYCLE: 20 January 2020 &#8211; 01 March 2020<\/strong>\u00a0<br \/><strong>1. Hearts. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper <br \/><br \/><strong>2. Hearts and flames. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>3. Peacock\u2019s eyes. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>4. A carpet motif. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>5. An ornamental motif. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong> <br \/>pastel, paper<br \/><br \/><strong>6. A carpet motif. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>7. An ornamental motif. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong> <br \/>pastel, paper<br \/><br \/><strong>8. An ornamental motif. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong> <br \/>pastel, paper<br \/><br \/><strong>9. An ornamental motif. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong> <br \/>pastel, paper<br \/><br \/><strong>10. Brook thistle. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper <br \/><br \/><strong>11. A geometric motif. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>12. Stylized pliers. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, pencil, paper<br \/><br \/><strong>13. Hearts \u2013 sanseveiria. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>14. Hearts \u2013 sanseveiria. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>15. Waves. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>16. A carpet motif. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>17. Chessboard and palmettes. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>18. Eagle and crown. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong><br \/>pastel, paper <br \/><br \/><strong>19. Christ on the wings of a seraph. The variant of the top part of the stained-glass window with St Francis for the chancel of the Franciscan Church in Krakow, 1897<\/strong><br \/>pastel, paper<br \/><br \/><strong>20. Portrait of W\u0142adys\u0142awa Ordon\u00f3wna in the role of Krasawica [beautiful woman] in the play \u2018Boleslaw the Bold\u2019, 1903<\/strong> <br \/>pastel, paper<br \/><br \/><strong>21. Castitas. Design for painted decoration for the Franciscan Church in Krakow, 1895<\/strong> <br \/>pastel, paper<br \/><br \/><strong>22. Portrait of Helena Bornetowa n\u00e9e Propper, 1905<\/strong><br \/>pastel, paper <br \/>gift from Mieczys\u0142aw Bornet, 2007<br \/><br \/><strong>23. Portrait of a Young Woman, 1894<\/strong><br \/>pastel, paper<br \/>gift from Janina Stankiewicz, artist\u2019s aunt, 1915<br \/><br \/><strong>24. Portrait of Wanda Siemaszkowa in the role of the Bride in the drama \u2018The Wedding\u2019, 1901<\/strong><br \/>paper, pastel<br \/><br \/><strong>25. Parisian Woman, 1893<\/strong><br \/>pastel, paper<br \/>gift from Janina Stankiewicz, artist\u2019s aunt, 1915<br \/><br \/><strong>26. Symbolic Composition, 1900<\/strong> <br \/>oil, canvas<br \/><br \/><strong>27. A Double Portrait, 1901<\/strong> <br \/>oil, plywood<br \/><br \/><strong>28. Interior of the Paris Atelier, 1893<\/strong> <br \/>pastel, paper<br \/><br \/><strong>29. The Village of Konary, 1905<\/strong><br \/>pastel, paper<br \/><br \/><strong>30. View of Ko\u015bciuszko Mound in Krakow from a Window. A Gloomy Day, 1905<\/strong><br \/>pastel, paper<br \/><br \/><strong>31. The Vistula near Krakow, 1905<\/strong> <br \/>pastel, paper <br \/>gift from Feliks Jasie\u0144ski, 1920 <br \/><br \/><strong>32. View of Ko\u015bciuszko Mound from a Window. Snowstorm, 1905<\/strong><br \/>pastel, paper <br \/>gift from Feliks Jasie\u0144ski, 1920 <br \/><br \/><strong>33. River Landscape- on the Rudawa (Spring Melt), 1905<\/strong><br \/>pastel, paper<br \/><br \/><strong>34. View of Ko\u015bciuszko Mound in Krakow from a Window. A Gloomy Day, 1904<\/strong><br \/>pastel, paper<br \/><br \/><strong>35. View of Ko\u015bciuszko Mound in Krakow from a Window. Sunshine on the Snow, 1905<\/strong><br \/>pastel, paper <br \/>gift from Feliks Jasie\u0144ski, 1920 <br \/><br \/><strong>36. View of Ko\u015bciuszko Mound in Krakow from a Window, 1904<\/strong><br \/>pastel, paper<br \/>gift from Professor Jan Glatzl, 1954 <br \/><br \/><strong>37. View of Ko\u015bciuszko Mound. At Sunset in Winter, 1904<\/strong><br \/>pastel, paper<br \/>private property \u2013 deposited at the NMK<br \/><br \/><strong>38. The Interior of Church of Saint \u00c9tienne in Paris, 1892<\/strong><br \/>oil, wood plank<br \/><br \/><strong>39. Barges on the Seine, 1892<\/strong><br \/>oil, wooden panel<br \/><br \/><strong>40. Luxembourg Garden in Paris, 1892<\/strong><br \/>oil, wooden panel<br \/><br \/><strong>41. View of the Barbican and the Florian Gate from Zacisze Street, 1894<\/strong> <br \/>oil, canvas<br \/><br \/><strong>42. View of theJuliusz S\u0142owacki Theatre in Krakow from Zacisze Street, 1894<\/strong> <br \/>oil, canvas <br \/><br \/><strong>43. A Homestead in Konary (Well- Poles and a Cottage), 1900<\/strong><br \/>pastel, paper<br \/>gift from Feliks Jasie\u0144ski, 1920<br \/><br \/><strong>44. St Stanislaus. Design for a stained-glass window in the chancel of the Krakow Cathedral, 1900<\/strong> <br \/>pastel, paper<br \/>gift from the artist, 1905 <br \/><br \/><strong>45. Arabesque. Drawing of a mural from the Holy Cross Church in Krakow, 1896<\/strong> <br \/>pastel, paper <br \/>donated by the Voivodship National Archive in Krakow, 1954 <br \/><br \/><strong>46. Arabesque. Drawing of a mural from the Holy Cross Church in Krakow, 1896<\/strong> <br \/>pastel, paper <br \/><br \/><strong>47. Arabesque. Drawing of a mural from the Holy Cross Church in Krakow, 1896<\/strong><br \/>pastel, paper <br \/>donated by the Voivodship National Archive in Krakow, 1954 <br \/><br \/><strong>48. A Winter Motif, 1905<\/strong> <br \/>pastel, papier <br \/><br \/><strong>49. Arabesque. Drawing of a mural from the Holy Cross Church in Krakow, 1896<\/strong> <br \/>pastel, paper <br \/><br \/><strong>50. Krakow City Walls \u2013 View from a Window, 1895<\/strong><br \/>pastel, paper<br \/><br \/><strong>51. Stage design for the drama \u2018Ska\u0142ka\u2019\u2019, 1905<\/strong><br \/>watercolour, crayon, pencil<br \/>private property, deposited at the NMK<br \/><br \/><strong>52. A Bend of the Vistula, 1904<\/strong><br \/>pastel, paper<br \/>Jazak Private Collection, deposited in 2003<br \/><br \/><strong>53. St Mary\u2019s Church, 1905<\/strong><br \/>pastel, paper <br \/>gift from Feliks Jasie\u0144ski, 1920<\/p>\n<\/div>\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"933\" data-id=\"19290\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/6_1f480cd63a9336fc01f875bfdef6da6b_original.jpg\" alt=\"Rysunek dekoracyjny przedstawiaj\u0105cy kilka pastelowych r\u00f3\u017c i p\u0105k\u00f3w o r\u00f3\u017cowo\u2011be\u017cowych p\u0142atkach oraz zielono\u2011niebieskie li\u015bcie i \u0142odygi, roz\u0142o\u017cone na geometrycznym tle z be\u017cowo\u2011niebieskich kwadrat\u00f3w i tr\u00f3jk\u0105t\u00f3w, z drobn\u0105 sygnatur\u0105 przy prawej kraw\u0119dzi.\" class=\"wp-image-19290\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/6_1f480cd63a9336fc01f875bfdef6da6b_original.jpg 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/6_1f480cd63a9336fc01f875bfdef6da6b_original-300x280.jpg 300w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/6_1f480cd63a9336fc01f875bfdef6da6b_original-768x717.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">R\u00f3\u017ce. Projekt do dekoracji malarskiej ko\u015bcio\u0142a Franciszkan\u00f3w w Krakowie, 1897, dar Feliksa Jasie\u0144skiego, 1920<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"766\" height=\"2560\" data-id=\"19291\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/5_0ab0218b2a9ec9786576b3679dbf4187_original-scaled.jpg\" alt=\"Wysokie pionowe dzie\u0142o podzielone na trzy kolumny w\u0105skich prostok\u0105tnych paneli oprawionych z\u0142ot\u0105 kratownic\u0105, przedstawiaj\u0105ce abstrakcyjne, faliste formy i warstwy przypominaj\u0105ce s\u0142oje drewna oraz fa\u0142dy tkaniny w ciep\u0142ych br\u0105zach, pomara\u0144czach i niebieskich akcentach, z widocznym fragmentem zamkni\u0119tej twarzy z brod\u0105 oraz cz\u0119\u015bci\u0105 instrumentu strunowego.\" class=\"wp-image-19291\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/5_0ab0218b2a9ec9786576b3679dbf4187_original-scaled.jpg 766w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/5_0ab0218b2a9ec9786576b3679dbf4187_original-90x300.jpg 90w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/5_0ab0218b2a9ec9786576b3679dbf4187_original.jpg 460w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/5_0ab0218b2a9ec9786576b3679dbf4187_original.jpg 613w\" sizes=\"auto, (max-width: 766px) 100vw, 766px\" \/><figcaption class=\"wp-element-caption\">Henryk Pobo\u017cny. Projekt witra\u017ca do prezbiterium katedry krakowskiej, 1900,  dar artysty, 1905<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"889\" data-id=\"19292\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/4_6f3124ebeb7a43f146e20b458e55ce8a_original.jpg\" alt=\"Rysunek przedstawiaj\u0105cy splecione jasne p\u0119dy i wij\u0105ce si\u0119 \u0142odygi z du\u017cymi okr\u0105g\u0142ymi zielonymi li\u015b\u0107mi oraz kilkoma pomara\u0144czowo\u2011czerwonymi kwiatami na geometrycznym tle z motywem tr\u00f3jk\u0105t\u00f3w i kwadrat\u00f3w.\" class=\"wp-image-19292\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/4_6f3124ebeb7a43f146e20b458e55ce8a_original.jpg 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/4_6f3124ebeb7a43f146e20b458e55ce8a_original-300x267.jpg 300w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/4_6f3124ebeb7a43f146e20b458e55ce8a_original-768x683.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Nasturcje. Projekt do dekoracji malarskiej ko\u015bcio\u0142a Franciszkan\u00f3w w Krakowie, 1897<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"2346\" data-id=\"19293\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/3_9969db1359d9334840dfa2ddeeced21b_original.jpg\" alt=\"W\u0105ska pionowa kompozycja malarska z koncentrycznymi, falistymi pasami w odcieniach b\u0142\u0119kitu i szaro\u015bci, z centraln\u0105 intensywnie \u017c\u00f3\u0142t\u0105, cz\u0119\u015bciowo nag\u0105 postaci\u0105 z rogami i owini\u0119t\u0105 ciemn\u0105 wst\u0119g\u0105, otoczon\u0105 wieloma zgeometryzowanymi, niebieskawymi sylwetkami i fragmentami \u2014 w tym le\u017c\u0105c\u0105 postaci\u0105 u do\u0142u, okr\u0105g\u0142\u0105, he\u0142mopodobn\u0105 form\u0105 po prawej oraz rze\u017abiarskim popiersiem po lewej \u2014 namalowana w mozaikowym, segmentowym stylu kolorystycznym.\" class=\"wp-image-19293\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/3_9969db1359d9334840dfa2ddeeced21b_original.jpg 655w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/3_9969db1359d9334840dfa2ddeeced21b_original-128x300.jpg 128w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/3_9969db1359d9334840dfa2ddeeced21b_original-436x1024.jpg 436w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/3_9969db1359d9334840dfa2ddeeced21b_original-768x1802.jpg 768w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/3_9969db1359d9334840dfa2ddeeced21b_original.jpg 873w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/3_9969db1359d9334840dfa2ddeeced21b_original.jpg 1000w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Apollo. System Kopernika. Projekt witra\u017ca do Domu Towarzystwa Lekarskiego w Krakowie, 1904, dar prof. Juliana Nowaka, 1946<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1891\" data-id=\"19294\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/2_61c70caf22c9fcf419999c3798052bdf_original.jpg\" alt=\"Pastelowy rysunek przedstawiaj\u0105cy posta\u0107 widzian\u0105 od ty\u0142u i lekko z profilu, z odchylon\u0105 ku g\u00f3rze g\u0142ow\u0105 i d\u0142oni\u0105 przy czole, ciemnymi w\u0142osami zwi\u0105zanymi z ty\u0142u oraz w bia\u0142ym bezr\u0119kawniku, kolorowej wzorzystej kamizelce i chustce na jasnym, lekko z\u017c\u00f3\u0142kni\u0119tym tle.\" class=\"wp-image-19294\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/2_61c70caf22c9fcf419999c3798052bdf_original.jpg 812w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/2_61c70caf22c9fcf419999c3798052bdf_original-159x300.jpg 159w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/2_61c70caf22c9fcf419999c3798052bdf_original-542x1024.jpg 542w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/2_61c70caf22c9fcf419999c3798052bdf_original-768x1452.jpg 768w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/2_61c70caf22c9fcf419999c3798052bdf_original.jpg 1000w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Dziewczynka krakowska. Studium do witra\u017ca \u201ePolonia\u201d do katedry lwowskiej, 1893<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1979\" data-id=\"19295\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/1_4a948c648cfa7f3383b300fa0f8d7c12_original.jpg\" alt=\"Wysokie dwucz\u0119\u015bciowe malowid\u0142o podzielone pionow\u0105 listw\u0105: po lewej g\u0119sto splecione, kolorowe ro\u015bliny i wij\u0105ce si\u0119 p\u0119dy nad le\u017c\u0105cymi postaciami na czerwonych tkaninach, po prawej bladawa kobieta z d\u0142ugimi ciemnymi w\u0142osami podtrzymywana przez kilka os\u00f3b, obok m\u0119\u017cczyzna z brod\u0105 z d\u0142oni\u0105 przy czole oraz sylwetki postaci z uniesionymi ramionami na tle niebiesko\u2011zielonych i \u017c\u00f3\u0142tych traw.\" class=\"wp-image-19295\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/1_4a948c648cfa7f3383b300fa0f8d7c12_original.jpg 776w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/1_4a948c648cfa7f3383b300fa0f8d7c12_original-152x300.jpg 152w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/1_4a948c648cfa7f3383b300fa0f8d7c12_original-517x1024.jpg 517w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/1_4a948c648cfa7f3383b300fa0f8d7c12_original-768x1520.jpg 768w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/1_4a948c648cfa7f3383b300fa0f8d7c12_original.jpg 1000w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Projekt witra\u017ca \u201ePolonia\u201d do katedry lwowskiej, 1893<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"738\" data-id=\"19296\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/19_original.png\" alt=\"Pastelowy portret w trzech czwartych przedstawiaj\u0105cy m\u0119\u017cczyzn\u0119 z kr\u0119conymi w\u0142osami, g\u0119st\u0105 brod\u0105 i w\u0105sami, w zapinanym p\u0142aszczu i koszuli z ko\u0142nierzem, z zielono\u2011niebieskimi cieniami na twarzy, na jasnym kremowym tle.\" class=\"wp-image-19296\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/19_original.png 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/19_original-300x221.png 300w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/19_original-768x567.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Autoportret, 1903<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"774\" data-id=\"19297\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/18_original.png\" alt=\"Pastelowy obraz przedstawiaj\u0105cy \u015bpi\u0105ce dziecko w pasiastym nocnym ubraniu, le\u017c\u0105ce na poduszce z jedn\u0105 r\u0119k\u0105 uniesion\u0105 nad g\u0142ow\u0105 i drug\u0105 przy twarzy, cz\u0119\u015bciowo przykryte br\u0105zowym kocem.\" class=\"wp-image-19297\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/18_original.png 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/18_original-300x232.png 300w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/18_original-768x594.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">\u015api\u0105cy Mietek, 1902<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"703\" data-id=\"19298\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/17_original.png\" alt=\"Pastelowy portret m\u0142odej osoby opieraj\u0105cej g\u0142ow\u0119 na z\u0142\u0105czonych ramionach, w niebieskim kapeluszu z kokard\u0105, zielonym p\u0142aszczu ze srebrzystymi paskami na r\u0119kawach i bia\u0142ym koronkowym ko\u0142nierzyku, o jasnej cerze i rumie\u0144cach, spogl\u0105daj\u0105cej w prawo, na be\u017cowym tle z sygnatur\u0105 w lewym g\u00f3rnym rogu.\" class=\"wp-image-19298\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/17_original.png 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/17_original-300x211.png 300w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/17_original-768x540.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Dziewczynka w niebieskim kapeluszu, 1895, dar dra Teodora i Zeneidy Dunin\u00f3w, 1909<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"668\" data-id=\"19299\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/16_original.png\" alt=\"Obraz przedstawiaj\u0105cy kobiet\u0119 po prawej karmi\u0105c\u0105 piersi\u0105 niemowl\u0119 trzymane w ramionach, po lewej dwie dziewczynki z wst\u0105\u017ckami we w\u0142osach obserwuj\u0105ce je, wszyscy w bogato wzorzystych szatach na tle zielonych li\u015bci i bia\u0142ych kwiat\u00f3w, w prawym dolnym rogu widoczny podpis i data &quot;1905&quot;.\" class=\"wp-image-19299\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/16_original.png 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/16_original-300x200.png 300w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/16_original-768x513.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Macierzy\u0144stwo, 1905, dar Feliksa Jasie\u0144skiego, 1920<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"762\" data-id=\"19300\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/15_original.png\" alt=\"Pastelowy portret kobiety i m\u0119\u017cczyzny ustawionych blisko siebie na teksturowanym niebiesko-br\u0105zowym tle; kobieta po lewej w czerwonej chustce i kolorowym, wzorzystym stroju z kilkoma naszyjnikami czerwonych korali, m\u0119\u017cczyzna po prawej z w\u0105sami i brod\u0105 w p\u0142aszczu z futrzanym ko\u0142nierzem, z sygnatur\u0105 1904 w prawym dolnym rogu.\" class=\"wp-image-19300\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/15_original.png 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/15_original-300x229.png 300w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/15_original-768x585.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Autoportret z \u017con\u0105, 1904, dar Feliksa Jasie\u0144skiego, 1920<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1850\" data-id=\"19301\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/14_original.png\" alt=\"Dwie nagie m\u0142ode postacie pochylone w d\u00f3\u0142 trzymaj\u0105ce pomara\u0144czowe \u0142uki na turkusowym, falistym tle z u g\u00f3ry umieszczonym pasem spiralnych ornament\u00f3w i dwiema ma\u0142ymi \u017c\u00f3\u0142tymi gwiazdkowatymi dekoracjami.\" class=\"wp-image-19301\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/14_original.png 830w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/14_original-162x300.png 162w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/14_original-554x1024.png 554w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/14_original-768x1421.png 768w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/14_original.png 1000w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">\u0141ucznicy. Cz\u0119\u015b\u0107 g\u00f3rna kompozycji \u201eStr\u0105cenie anio\u0142\u00f3w\u201d. Projekt do dekoracji malarskiej ko\u015bcio\u0142a Franciszkan\u00f3w w Krakowie, 1896<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1436\" data-id=\"19302\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/13_original.png\" alt=\"Pastelowy, zbli\u017ceniowy portret twarzy doros\u0142ej osoby z jasnobr\u0105zowymi w\u0142osami zaczesanymi do ty\u0142u, jasno-niebieskimi oczami, rzadkim w\u0105sem i brod\u0105 w odcieniach rudawo\u2011zielonych, ubranej w bia\u0142\u0105 koszul\u0119 z wysokim ko\u0142nierzem i ciemny \u017cakiet na delikatnie nakre\u015blonym, jasnym tle.\" class=\"wp-image-19302\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/13_original.png 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/13_original-209x300.png 209w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/13_original-713x1024.png 713w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/13_original-768x1103.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Autoportret, 1897<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"755\" data-id=\"19303\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/12_original.png\" alt=\"Pastelowy portret zbli\u017ceniowy ch\u0142opca z kr\u00f3tkimi w\u0142osami i niebieskim ubraniem, opieraj\u0105cego podbr\u00f3dek na skrzy\u017cowanych r\u0119kach spoczywaj\u0105cych na kraw\u0119dzi sto\u0142u, na ciep\u0142ym czerwono\u2011br\u0105zowym tle z widoczn\u0105 faktur\u0105 pastelu oraz sygnatur\u0105 i dat\u0105 \u201e1904\u201d w prawym g\u00f3rnym rogu.\" class=\"wp-image-19303\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/12_original.png 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/12_original-300x227.png 300w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/12_original-768x580.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Mietek oparty na r\u0119kach, 1904, dar Elzy z Sar\u00f3w Krausowej, 1951<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"678\" height=\"2560\" data-id=\"19304\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/11_24169bf887bd89a62de77a9884773286_original-scaled.jpg\" alt=\"W\u0105ski pionowy obraz przedstawiaj\u0105cy dwa nagie kobiece torsy i g\u0142owy u\u0142o\u017cone blisko siebie z splecionymi, d\u0142ugimi w\u0142osami i zgi\u0119tymi ramionami, na tle falistych, pastelowych poci\u0105gni\u0119\u0107 p\u0119dzla w odcieniach niebieskiego i be\u017cu oraz rozrzuconych \u017c\u00f3\u0142to-fioletowych, gwiazdkowatych ornament\u00f3w.\" class=\"wp-image-19304\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/11_24169bf887bd89a62de77a9884773286_original-scaled.jpg 678w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/11_24169bf887bd89a62de77a9884773286_original-271x1024.jpg 271w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/11_24169bf887bd89a62de77a9884773286_original-768x2901.jpg 768w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/11_24169bf887bd89a62de77a9884773286_original.jpg 407w\" sizes=\"auto, (max-width: 678px) 100vw, 678px\" \/><figcaption class=\"wp-element-caption\">Str\u0105cone anio\u0142y. Cz\u0119\u015b\u0107 dolna kompozycji \u201eStr\u0105cenie anio\u0142\u00f3w\u201d. Projekt do dekoracji malarskiej ko\u015bcio\u0142a Franciszkan\u00f3w w Krakowie, 1896<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1258\" data-id=\"19305\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/10_original.png\" alt=\"Szkic w\u0119glem na br\u0105zowym papierze przedstawiaj\u0105cy g\u0142ow\u0119 i g\u00f3rn\u0105 cz\u0119\u015b\u0107 tu\u0142owia m\u0119\u017cczyzny w trzech czwartych, z ciemnymi, pofalowanymi w\u0142osami, du\u017cymi oczami, w\u0105sem i zarysowanym zarostem oraz wyra\u017anie zaznaczon\u0105 szyj\u0105 i ramieniem.\" class=\"wp-image-19305\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/10_original.png 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/10_original-238x300.png 238w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/10_original-814x1024.png 814w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/10_original-768x966.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Portret w\u0142asny, 1907, dar Feliksa Jasie\u0144skiego, 1920<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1351\" data-id=\"19306\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/9_original.png\" alt=\"Pastelowy zbli\u017cony portret dziecka z jasnymi, faluj\u0105cymi w\u0142osami i niebieskimi oczami, g\u0142ow\u0105 odchylon\u0105 do ty\u0142u, lekko rozchylonymi ustami i r\u00f3\u017cowymi policzkami, w jasnym szerokim ko\u0142nierzu z pofa\u0142dowanym ubraniem, na neutralnym tle z widocznymi \u015bladami pastelu, z podpisem i dat\u0105 1901 ST WYSPIANSKI w dolnej cz\u0119\u015bci obrazu.\" class=\"wp-image-19306\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/9_original.png 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/9_original-222x300.png 222w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/9_original-758x1024.png 758w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/9_original-768x1038.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">G\u0142\u00f3wka Mietka, 1901, dar Eustachego Jaxy Chronowskiego, 1914<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"760\" data-id=\"19308\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/8_original.png\" alt=\"Profil m\u0142odej dziewczynki z d\u0142ugimi br\u0105zowymi w\u0142osami, oparta \u0142okciem o ciemny materia\u0142, w czerwono-bia\u0142ej wzorzystej bluzce, wyci\u0105ga palcem w kierunku r\u00f3\u017cowego dzbanka z niebieskimi kwiatami na ciemnym tle, w prawym dolnym rogu widoczna sygnatura i data.\" class=\"wp-image-19308\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/8_original.png 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/8_original-300x228.png 300w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/8_original-768x584.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Helenka z wazonem, 1902, dar Feliksa Jasie\u0144skiego, 1920<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1288\" data-id=\"19309\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/7_original.png\" alt=\"Szkic o\u0142\u00f3wkiem na po\u017c\u00f3\u0142k\u0142ym, lekko poplamionym papierze przedstawiaj\u0105cy frontalny portret g\u0142owy m\u0119\u017cczyzny w czapce, z wyra\u017anie zarysowanymi oczami, nosem, w\u0105sami i brod\u0105 oraz subtelnym cieniowaniem; u do\u0142u odr\u0119czne zapiski i ma\u0142a okr\u0105g\u0142a piecz\u0105tka.\" class=\"wp-image-19309\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/7_original.png 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/7_original-233x300.png 233w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/7_original-795x1024.png 795w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/7_original-768x989.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Autoportret (verso). Karta ze szkicownika, 1890, zapis dra Zygmunta Ehrenpreisa, 1930<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"2010\" data-id=\"19310\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/wanda_original.png\" alt=\"Dziewi\u0119ciopanelowa pionowa kompozycja u\u0142o\u017cona w siatce 3x3 z br\u0105zowymi paskami mi\u0119dzy panelami; g\u00f3rne i \u015brodkowe pasma zawieraj\u0105 faliste, malarskie formy w odcieniach niebieskiego, zieleni, czerni i kremu przypominaj\u0105ce w\u0142osy i zarysy twarzy, z wyra\u017anymi kreskami przypominaj\u0105cymi w\u0119giel lub pastel, a dolne panele s\u0105 przewa\u017cnie pustymi kremowymi polami z pojedynczymi szkicowymi, czarnymi poci\u0105gni\u0119ciami.\" class=\"wp-image-19310\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/wanda_original.png 764w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/wanda_original-149x300.png 149w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/wanda_original-509x1024.png 509w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/wanda_original-768x1544.png 768w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/wanda_original.png 1000w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Wanda. Projekt witra\u017ca do prezbiterium katedry krakowskiej, 1900<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1356\" data-id=\"19313\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/5_original.png\" alt=\"Rysunek pastelami przedstawiaj\u0105cy g\u0142ow\u0119 i g\u00f3rn\u0105 cz\u0119\u015b\u0107 tu\u0142owia m\u0142odej dziewczynki o d\u0142ugich jasnobr\u0105zowych w\u0142osach, niebieskich oczach i lekko otwartych ustach na kremowym tle, z podpisem artysty u do\u0142u.\" class=\"wp-image-19313\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/5_original.png 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/5_original-221x300.png 221w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/5_original-755x1024.png 755w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/5_original-768x1041.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">G\u0142\u00f3wka Helenki, 1900, dar Feliksa Jasie\u0144skiego, 1920<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"995\" data-id=\"19314\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/4_original.png\" alt=\"Pastelowy portret od ramion w g\u00f3r\u0119 przedstawiaj\u0105cy dziewczynk\u0119 z kr\u00f3tkimi br\u0105zowymi w\u0142osami i grzywk\u0105, opieraj\u0105c\u0105 podbr\u00f3dek na z\u0142o\u017conej d\u0142oni, ubran\u0105 w bia\u0142\u0105 koszul\u0119 i niebiesk\u0105 kamizelk\u0119 z czerwono\u2011\u017c\u00f3\u0142tymi zdobieniami, na po\u017c\u00f3\u0142k\u0142ym papierze z ciemniejszymi brzegami oraz odr\u0119cznym podpisem i dat\u0105 1905 w prawym g\u00f3rnym rogu.\" class=\"wp-image-19314\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/4_original.png 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/4_original-300x300.png 300w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/4_original-150x150.png 150w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/4_original-768x764.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Portret J\u00f3zia Feldmana, 1905, dar Marii Feldmanowej, 1956<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1309\" data-id=\"19315\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/3_original.png\" alt=\"O\u0142\u00f3wkowy szkic na kremowym, lekko poplamionym papierze przedstawiaj\u0105cy portret g\u0142owy i ramion m\u0142odej osoby zwr\u00f3conej prawie frontalnie z kr\u00f3tkimi w\u0142osami, wyra\u017anie narysowanymi oczami, nosem i ustami, zaznaczonym ko\u0142nierzem ubrania oraz odr\u0119cznymi podpisami i zapiskami w dolnej cz\u0119\u015bci kartki.\" class=\"wp-image-19315\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/3_original.png 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/3_original-229x300.png 229w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/3_original-782x1024.png 782w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/3_original-768x1005.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Autoportret. Karta ze szkicownika, 1890, zapis Marii Feldmanowej, 1954<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1303\" data-id=\"19316\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/2_original.png\" alt=\"Szkic o\u0142\u00f3wkiem na be\u017cowym papierze przedstawiaj\u0105cy realistyczny portret g\u0142owy m\u0142odego m\u0119\u017cczyzny z kr\u0119conymi w\u0142osami, du\u017cymi oczami i lekk\u0105 brod\u0105 oraz w\u0105sami, z wyra\u017anym cieniowaniem twarzy, niedoko\u0144czon\u0105 szyj\u0105 i odr\u0119cznymi napisami oraz ma\u0142ym dodatkowym szkicem na dolnym marginesie.\" class=\"wp-image-19316\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/2_original.png 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/2_original-230x300.png 230w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/2_original-786x1024.png 786w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/2_original-768x1001.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Autoportret (recto). Karta ze szkicownika, 1890, zapis dra Zygmunta Ehrenpreisa, 1930<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"766\" height=\"2560\" data-id=\"19317\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/1_original-scaled.png\" alt=\"Pionowa kompozycja z trzema w\u0105skimi kolumnami paneli uk\u0142adaj\u0105cymi si\u0119 w obraz przedstawiaj\u0105cy posta\u0107 z czaszk\u0105 w koronie trzymaj\u0105c\u0105 ber\u0142o, z wyd\u0142u\u017conymi szatami, ko\u015bcist\u0105 d\u0142oni\u0105 i bogatymi, falistymi, marmoryzowanymi wzorami w odcieniach br\u0105zu, turkusu i z\u0142ota.\" class=\"wp-image-19317\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/1_original-scaled.png 766w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/1_original-90x300.png 90w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/1_original.png 460w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/1_original.png 613w\" sizes=\"auto, (max-width: 766px) 100vw, 766px\" \/><figcaption class=\"wp-element-caption\">Kazimierz Wielki. Projekt witra\u017ca do prezbiterium katedry krakowskiej, 1900<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"763\" data-id=\"19319\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/10_006d6fa9bde6dc9a1c5852d4d37e4eb9_original.jpg\" alt=\"Pastelowy pejza\u017c przedstawiaj\u0105cy za\u015bnie\u017cone pole z diagonalnymi niebieskimi \u015bladami prowadz\u0105cymi ku niskim niebiesko\u2011fioletowym wzg\u00f3rzom na horyzoncie i \u017c\u00f3\u0142to\u2011pomara\u0144czowemu niebu o zmierzchu, na pierwszym planie szkicowe czarne krzewy i zaschni\u0119te trawy oraz zamaszyste poci\u0105gni\u0119cia pastelu i plamy koloru po prawej stronie.\" class=\"wp-image-19319\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/10_006d6fa9bde6dc9a1c5852d4d37e4eb9_original.jpg 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/10_006d6fa9bde6dc9a1c5852d4d37e4eb9_original-300x229.jpg 300w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/10_006d6fa9bde6dc9a1c5852d4d37e4eb9_original-768x586.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Widok na Kopiec Ko\u015bciuszki. O zachodzie s\u0142o\u0144ca zim\u0105, 1904, w\u0142asno\u015b\u0107 prywatna \u2013 depozyt w MNK<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1509\" data-id=\"19320\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/9_661761af31b5b1ffffe089f8650f2cd8_original.jpg\" alt=\"Pastelowy pejza\u017c przedstawiaj\u0105cy rozleg\u0142e, jasne niebo nad \u015bnie\u017cnym polem z diagonaln\u0105 drog\u0105 prowadz\u0105c\u0105 ku horyzontowi, niskimi zarysami wzg\u00f3rz w tle, rozproszonymi drzewami i krzewami oraz smuk\u0142ymi pniami drzew po bokach, namalowany delikatnymi kreskami w odcieniach be\u017cu, b\u0142\u0119kitu i br\u0105zu, ze sygnatur\u0105 w lewym dolnym rogu.\" class=\"wp-image-19320\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/9_661761af31b5b1ffffe089f8650f2cd8_original.jpg 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/9_661761af31b5b1ffffe089f8650f2cd8_original-199x300.jpg 199w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/9_661761af31b5b1ffffe089f8650f2cd8_original-679x1024.jpg 679w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/9_661761af31b5b1ffffe089f8650f2cd8_original-768x1159.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Widok z okna na Kopiec Ko\u015bciuszki w Krakowie. S\u0142o\u0144ce na \u015bniegu, 1905, dar Feliksa Jasie\u0144skiego, 1920<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"766\" height=\"2560\" data-id=\"19323\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/8_d22372a13db05f9260a61c2f5cffb64d_original-scaled.jpg\" alt=\"Pionowy obraz podzielony na w\u0105skie pionowe panele oddzielone br\u0105zowymi pasami, w kt\u00f3rych malarskie, p\u0142ynne formy i ornamenty \u2014 u g\u00f3ry centralny panel z wyd\u0142u\u017con\u0105 twarz\u0105 o zamkni\u0119tych oczach otoczon\u0105 z\u0142ocistymi okr\u0119gami, wok\u00f3\u0142 faluj\u0105ce, draperiowe linie, fragmenty dekoracyjnych rze\u017abionych motyw\u00f3w oraz panel ze \u015bwiec\u0105 z widocznym p\u0142omykiem, w kolorystyce ziemistej z dominuj\u0105cymi br\u0105zami i be\u017cami oraz akcentami b\u0142\u0119kitu i \u017c\u00f3\u0142ci.\" class=\"wp-image-19323\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/8_d22372a13db05f9260a61c2f5cffb64d_original-scaled.jpg 766w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/8_d22372a13db05f9260a61c2f5cffb64d_original-90x300.jpg 90w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/8_d22372a13db05f9260a61c2f5cffb64d_original.jpg 460w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/8_d22372a13db05f9260a61c2f5cffb64d_original.jpg 613w\" sizes=\"auto, (max-width: 766px) 100vw, 766px\" \/><figcaption class=\"wp-element-caption\">\u015aw. Stanis\u0142aw. Projekt witra\u017ca do prezbiterium katedry krakowskiej, 1900, dar artysty, 1905<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"754\" data-id=\"19326\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/7_2cebbc1a86173659805ec11bdd1f0799_original.jpg\" alt=\"Pastelowy pejza\u017c zimowy z szerok\u0105, za\u015bnie\u017con\u0105 drog\u0105 lub wa\u0142em prowadz\u0105c\u0105 ku horyzontowi, cienkimi nagimi drzewami i zaro\u015blami po bokach, odleg\u0142ym pasem drzew na tle szaro\u2011niebieskiego nieba, dominuj\u0105cymi tonami bieli, b\u0142\u0119kitu i br\u0105zu oraz podpisem i dat\u0105 &quot;1904&quot; w lewym dolnym rogu.\" class=\"wp-image-19326\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/7_2cebbc1a86173659805ec11bdd1f0799_original.jpg 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/7_2cebbc1a86173659805ec11bdd1f0799_original-300x226.jpg 300w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/7_2cebbc1a86173659805ec11bdd1f0799_original-768x579.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Widok z okna na Kopiec Ko\u015bciuszki w Krakowie. Szary dzie\u0144, 1904<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"649\" data-id=\"19327\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/6_da2d55a8a9ae78dfb695caf1b8a5c395_original.jpg\" alt=\"Obraz w odcieniach b\u0142\u0119kitu i szaro\u015bci przedstawiaj\u0105cy abstrakcyjne, przypominaj\u0105ce l\u00f3d formacje: wysokie pionowe \u015bciany po lewej, centralny, pionowo\u2011horyzontalny kszta\u0142t przypominaj\u0105cy iglic\u0119 i poprzeczne p\u0142aty lodu, g\u0142\u0119bok\u0105 szczelin\u0119 oraz uko\u015bn\u0105 jasn\u0105 powierzchni\u0119 po prawej z cienkimi ciemnymi liniami.\" class=\"wp-image-19327\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/6_da2d55a8a9ae78dfb695caf1b8a5c395_original.jpg 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/6_da2d55a8a9ae78dfb695caf1b8a5c395_original-300x195.jpg 300w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/6_da2d55a8a9ae78dfb695caf1b8a5c395_original-768x498.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Motyw zimowy, 1905<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1539\" data-id=\"19328\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/5_131ea71e72d5d48f5bec9a6c66c7a62e_original.jpg\" alt=\"Szkic na be\u017cowym papierze ukazuj\u0105cy zimowy, za\u015bnie\u017cony pejza\u017c z biegn\u0105c\u0105 uko\u015bnie drog\u0105 lub torami, kilkoma s\u0142upami z przewodami, cienkimi nagimi drzewami i zarysami zabudowa\u0144 w oddali, z podpisem i dat\u0105 &quot;1905&quot; w lewym dolnym rogu.\" class=\"wp-image-19328\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/5_131ea71e72d5d48f5bec9a6c66c7a62e_original.jpg 998w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/5_131ea71e72d5d48f5bec9a6c66c7a62e_original-195x300.jpg 195w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/5_131ea71e72d5d48f5bec9a6c66c7a62e_original-665x1024.jpg 665w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/5_131ea71e72d5d48f5bec9a6c66c7a62e_original-768x1182.jpg 768w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/5_131ea71e72d5d48f5bec9a6c66c7a62e_original.jpg 1000w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Widok z okna na Kopiec Ko\u015bciuszki. Zadymka, 1905, dar Feliksa Jasie\u0144skiego, 1920<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"757\" data-id=\"19330\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/4_bc11c292a217badb127c7843ca2f1c06_original.jpg\" alt=\"Pastelowy pejza\u017c zimowy z szerok\u0105, spokojn\u0105 tafl\u0105 wody odbijaj\u0105c\u0105 smuk\u0142e, nagie drzewa po prawej i na \u015brodku, za\u015bnie\u017conym brzegiem na pierwszym planie po lewej oraz niskim pag\u00f3rkiem na horyzoncie, utrzymany w stonowanych b\u0142\u0119kitach i szaro\u015bciach.\" class=\"wp-image-19330\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/4_bc11c292a217badb127c7843ca2f1c06_original.jpg 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/4_bc11c292a217badb127c7843ca2f1c06_original-300x227.jpg 300w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/4_bc11c292a217badb127c7843ca2f1c06_original-768x581.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Wis\u0142a pod Krakowem, 1905, dar Feliksa Jasie\u0144skiego, 1920<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"756\" data-id=\"19331\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/3_4b0c427faf9009fe2b3c5c1bb211dad9_original.jpg\" alt=\"Rozmyty pastelowy pejza\u017c z w\u0105skim strumieniem biegn\u0105cym przez \u015brodek obrazu, ciemnymi, wij\u0105cymi si\u0119 zaro\u015blami na pierwszym planie, pomara\u0144czowo-br\u0105zowymi drzewami i plamami zieleni w tle oraz widocznym podpisem artysty w lewym dolnym rogu.\" class=\"wp-image-19331\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/3_4b0c427faf9009fe2b3c5c1bb211dad9_original.jpg 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/3_4b0c427faf9009fe2b3c5c1bb211dad9_original-300x227.jpg 300w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/3_4b0c427faf9009fe2b3c5c1bb211dad9_original-768x581.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Krajobraz znad Rudawy (Roztop wiosenny), 1905<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1535\" data-id=\"19332\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/2_cc826605a0af517d1270156953686fed_original.jpg\" alt=\"Pejza\u017c zimowy przedstawiaj\u0105cy za\u015bnie\u017con\u0105 drog\u0119 wij\u0105c\u0105 si\u0119 od pierwszego planu ku horyzontowi, nagie drzewa i krzewy po obu stronach, rozleg\u0142e \u015bnie\u017cne pola, pas lasu i niebieskawe wzg\u00f3rza pod jasnym niebem; w lewym dolnym rogu widoczna data &quot;1905&quot;.\" class=\"wp-image-19332\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/2_cc826605a0af517d1270156953686fed_original.jpg 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/2_cc826605a0af517d1270156953686fed_original-195x300.jpg 195w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/2_cc826605a0af517d1270156953686fed_original-667x1024.jpg 667w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/2_cc826605a0af517d1270156953686fed_original-768x1179.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Widok z okna na Kopiec Ko\u015bciuszki w Krakowie. Szary dzie\u0144, 1905<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"476\" data-id=\"19335\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/1_9312a0e74d928036cc9490f9631be3b5_original.jpg\" alt=\"Pastelowy pejza\u017c pokazuj\u0105cy zakr\u0119caj\u0105c\u0105, b\u0142otnist\u0105 drog\u0119 i \u015blady k\u00f3\u0142 prowadz\u0105ce przez zielono-br\u0105zowe \u0142\u0105ki ku odleg\u0142ym niebieskawym wzg\u00f3rzom z wyra\u017anym sto\u017ckowatym szczytem i czerwonymi budynkami, z kilkoma smuk\u0142ymi, cz\u0119\u015bciowo bezlistnymi drzewami po bokach i jasnym, zamglonym niebem.\" class=\"wp-image-19335\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/1_9312a0e74d928036cc9490f9631be3b5_original.jpg 1000w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/1_9312a0e74d928036cc9490f9631be3b5_original-300x143.jpg 300w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/1_9312a0e74d928036cc9490f9631be3b5_original-768x366.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Widok z okna na Kopiec Ko\u015bciuszki w Krakowie, 1904, dar prof. dra Jana Glatzla, 1954<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"264\" height=\"177\" data-id=\"19336\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/6_1f480cd63a9336fc01f875bfdef6da6b_gal.jpg\" alt=\"Obraz przedstawiaj\u0105cy p\u0119dy r\u00f3\u017c z r\u00f3\u017cowymi kwiatami, p\u0105kami i zielonymi li\u015b\u0107mi na tle geometrycznego, kafelkowego wzoru w odcieniach niebieskiego, be\u017cu i br\u0105zu.\" class=\"wp-image-19336\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"264\" height=\"177\" data-id=\"19338\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/19_gal.png\" alt=\"Pastelowy rysunek portretowy p\u00f3\u0142postaci m\u0119\u017cczyzny ukazanego w uj\u0119ciu trzy czwarte, z kr\u0119conymi w\u0142osami i rdzaw\u0105 brod\u0105, w dwurz\u0119dowym p\u0142aszczu i bia\u0142ej koszuli na jasnym, lekko fakturowanym tle.\" class=\"wp-image-19338\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"264\" height=\"177\" data-id=\"19340\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/10_006d6fa9bde6dc9a1c5852d4d37e4eb9_gal.jpg\" alt=\"Zimowy pejza\u017c w pastelowych barwach: rozleg\u0142e pola pokryte \u015bniegiem z wyra\u017anymi \u015bladami i \u015bcie\u017ck\u0105 prowadz\u0105c\u0105 ku horyzontowi, na pierwszym planie cienkie nagie ga\u0142\u0119zie po lewej, po prawej kilku drzew i ma\u0142y \u017c\u00f3\u0142ty punkt przy skraju drogi, w tle niebieskie wzg\u00f3rza pod \u017c\u00f3\u0142to-pomara\u0144czowym niebem.\" class=\"wp-image-19340\"\/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Exhibition of Stanis\u0142aw Wyspia\u0144ski\u2019s works from the collection of the National Museum in Krakow. Stanis\u0142aw Wyspia\u0144ski (1869\u20131907) \u2013 playwright, poet, painter, graphic artist, theatre reformer and interior designer \u2013 is one of the greatest and most versatile Polish artists The National Museum in Krakow holds the largest collection of works of this eminent artist, consisting [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":19352,"template":"","wystawy_categories":[],"class_list":["post-19350","wystawy","type-wystawy","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/mnk.pl\/en\/wp-json\/wp\/v2\/wystawy\/19350","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mnk.pl\/en\/wp-json\/wp\/v2\/wystawy"}],"about":[{"href":"https:\/\/mnk.pl\/en\/wp-json\/wp\/v2\/types\/wystawy"}],"author":[{"embeddable":true,"href":"https:\/\/mnk.pl\/en\/wp-json\/wp\/v2\/users\/3"}],"version-history":[{"count":0,"href":"https:\/\/mnk.pl\/en\/wp-json\/wp\/v2\/wystawy\/19350\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mnk.pl\/en\/wp-json\/wp\/v2\/media\/19352"}],"wp:attachment":[{"href":"https:\/\/mnk.pl\/en\/wp-json\/wp\/v2\/media?parent=19350"}],"wp:term":[{"taxonomy":"wystawy_categories","embeddable":true,"href":"https:\/\/mnk.pl\/en\/wp-json\/wp\/v2\/wystawy_categories?post=19350"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}