{"id":17356,"date":"2026-04-08T12:57:57","date_gmt":"2026-04-08T12:57:57","guid":{"rendered":"https:\/\/new.mnk.pl\/wystawy\/stanislaw-leszczynski-i-august-ii-wettin\/"},"modified":"2026-04-16T07:44:51","modified_gmt":"2026-04-16T07:44:51","slug":"stanislaw-leszczynski-i-august-ii-wettin","status":"publish","type":"wystawy","link":"https:\/\/mnk.pl\/en\/wystawy\/stanislaw-leszczynski-i-august-ii-wettin\/","title":{"rendered":"Stanis\u0142aw Leszczy\u0144ski and August II Wettin"},"content":{"rendered":"\n<p>The Department of Prints and Engravings of the Princes Czartoryski Museum presents another exhibition of engravings from its collections. The portraits and scenes of celebrations and events are all linked to the reigns of two rial elected kings of Poland. The engravings displayed are the works of outstanding Dutch, Augsburg, and French artists of the 17th to 19th centuries.<\/p>\n\n\n\n<p>After the death of king Jan III Sobieski, following a several-month long interregnum and a period of previously unheard-of corruption, an election was called which differed from all that had come before. For the first time, descendants of the dead king, that is of the local dynasty, were barred from candidacy. The king was elected by a minority, and what is more, a German was chosen, something which had heretofore in Poland been unthinkable. The nobility were divided into two opposing camps, each of which announced their candidate to be king. The Elector of Saxony, Friedrich Augustus I, was the quicker of the two and in September of 1697 was crowned August II, King of Poland. The coronation took place at Wawel Cathedral, and the royal insignia were acquired by forcing a hole through the wall of the locked treasury. The Elector converted to Catholicism, yet in royal portraits there appear the sash and star of the Danish Order of the Elephant, a distinction which he received as a Lutheran prince of the Reich; the star of the Order is also visible on the coronation robe of August II. Most likely, these portraits were intended to remind viewers that the king still retained his authority over the Lutheran Church in Saxony and that he was still the leader of the Evangelical delegates to the Imperial Diet. To obtain Livonia for the Wettins, he entered into an alliance with Russian tzar Peter the Great and began a war with Sweden. He underestimated the young king Charles XII, who was victorious in all the battles of this conflict and stubbornly demanded the removal of August II from the throne. It was in fact Charles XII who instigated the election and coronation (in 1705) of Stanis\u0142aw Leszczy\u0144ski. August II only abdicated in 1706, when the Swedish armies entered Saxony. The coronation of Leszczy\u0144ski and his wife Katarzyna n\u00e9e Opali\u0144ska was immortalised in two wall calendars from the year 1706, engraved in Paris almost certainly on the order of the court at Versailles. After the defeat of the Swedes at the Battle of Poltava in 1709, August II helped the tzar Peter I regain his throne, and Stanis\u0142aw Leszczy\u0144ski went into banishment. The portrait of August II by Pieter Schenck includes elements which refer back to this victory over Leszczy\u0144ski, including a broken sceptre, a crown lying on a battlefield, and an abandoned standard with the coat-of-arms of the Wieniawa clan. After the tragic death of Charles XII, Leszczy\u0144ski took up residence in Lorraine. There he vegetated, devoid of support and influence, until the year 1725 when his daughter Maria married the king of France, Louis XV. From that time on, his royal coat-of-arms was surrounded by the collars of the orders of St Michael and the Holy Spirit, while Leszczy\u0144ski himself, now as the father-in-law of the king of France, once again began his attempts to regain the throne of Poland. In 1733, Leszczy\u0144ski made a secret trip to Warsaw and was elected king with a majority of votes. Meanwhile, Russian armed forces organised the election of August III in Prague. Leszczy\u0144ski departed for Gda\u0144sk, to await French reinforcements there. Gda\u0144sk put up stiff resistance to the Russian and Saxon siege for four months. Just before the capitulation of the city, Leszczy\u0144ski fled the city by night, dressed in a costume. After his abdication in 1736, he received in compensation lifetime rulership of the duchies of Lorraine and Bar. The accession to the Dukedom is illustrated by two wall calendars from 1738, commissioned by the court at Versailles. In the main scene of one of these, the ceremonial baptism of the dauphine of France, the seven-year-old grandson of Leszczy\u0144ski, is shown. Stanis\u0142aw Leszczy\u0144ski remained the titular king of Poland. A patron of the arts, literature, and science, he was known as the Benefactor King and the Philosopher King. He expanded the city of Nancy, and his palace at Lun\u00e9ville was believed to be even more beautiful than Versailles. The memory of king Stanis\u0142aw remained strong in France for many years, as can be seen from the engraving dedicate to him with a bouquet of carnations.<br><br>Barbara K\u00f6nig<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"82\" src=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/pasek-120_596af4aedeb490dc39daca7c6b6419f4_original-1024x82.png\" alt=\"Poziomy pasek z czterema elementami od lewej: kolorowe logo z gwiazdami i napis Fundusze Europejskie Infrastruktura i \u015arodowisko; prostok\u0105tna flaga Polski z napisem Rzeczpospolita Polska; god\u0142o orze\u0142 oraz napis Ministerstwo Kultury i Dziedzictwa Narodowego z cienk\u0105 czerwon\u0105 i z\u0142ot\u0105 lini\u0105 pod spodem; oraz flaga Unii Europejskiej z napisem Unia Europejska Europejski Fundusz Rozwoju Regionalnego.\" class=\"wp-image-10576\" srcset=\"https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/pasek-120_596af4aedeb490dc39daca7c6b6419f4_original-1024x82.png 1024w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/pasek-120_596af4aedeb490dc39daca7c6b6419f4_original-300x24.png 300w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/pasek-120_596af4aedeb490dc39daca7c6b6419f4_original-768x62.png 768w, https:\/\/mnk.pl\/wp-content\/uploads\/2026\/04\/pasek-120_596af4aedeb490dc39daca7c6b6419f4_original.png 1471w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The Department of Prints and Engravings of the Princes Czartoryski Museum presents another exhibition of engravings from its collections. The portraits and scenes of celebrations and events are all linked to the reigns of two rial elected kings of Poland. The engravings displayed are the works of outstanding Dutch, Augsburg, and French artists of the [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":17357,"template":"","wystawy_categories":[171],"class_list":["post-17356","wystawy","type-wystawy","status-publish","has-post-thumbnail","hentry","wystawy_categories-temporary-exhibition"],"acf":[],"_links":{"self":[{"href":"https:\/\/mnk.pl\/en\/wp-json\/wp\/v2\/wystawy\/17356","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mnk.pl\/en\/wp-json\/wp\/v2\/wystawy"}],"about":[{"href":"https:\/\/mnk.pl\/en\/wp-json\/wp\/v2\/types\/wystawy"}],"author":[{"embeddable":true,"href":"https:\/\/mnk.pl\/en\/wp-json\/wp\/v2\/users\/5"}],"version-history":[{"count":0,"href":"https:\/\/mnk.pl\/en\/wp-json\/wp\/v2\/wystawy\/17356\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mnk.pl\/en\/wp-json\/wp\/v2\/media\/17357"}],"wp:attachment":[{"href":"https:\/\/mnk.pl\/en\/wp-json\/wp\/v2\/media?parent=17356"}],"wp:term":[{"taxonomy":"wystawy_categories","embeddable":true,"href":"https:\/\/mnk.pl\/en\/wp-json\/wp\/v2\/wystawy_categories?post=17356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}