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Dostępny dla niepełnosprawnych słuchowo
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The Sukiennice building houses one of the largest permanent exhibitions of 19th-century Polish painting and sculpture in Poland.
The permanent exhibition in the Józef Czapski Pavilion, whose layout was designed by Krystyna Zachwatowicz and her husband Andrzej Wajda, occupies the second floor.
The exhibition presents excellent works of the medieval and more modern art from the collections of the National Museum in Krakow, one of the oldest and best sets of old Polish art.
The exhibition features a hitherto little known group of icons, one of the oldest and most precious collections of Orthodox painting in Central Europe. It contains mainly the works coming from the south-eastern borderlands of the old 'Rzeczpospolita'.
In the beautifully restored cellars of the Bishop Erazm Ciołek Palace, visitors can admire 800 fragments of the most valuable architectural sculptures from all over Poland, originating from such places as St. Mary's Church, Krakow Cathedral or Gniezno Cathedral.
The exposition in the granary presents seven centuries of the history of European art, using over 100 paintings and sculptures. This collection was gathered since the foundation of the Museum in 1879, mainly as gifts, and initially was not covered with a specific policy, as the Museum (as indicated by its name) was focusing mainly on the Polish works of art.
The manuscripts collection was initiated through a donation from the Czapski family in form of Emeryk Hutten-Czapski's library containing over eight thousand items.
The Numismatic Room was established in 1883. The initially modest collection expanded mainly thanks to the generosity of private benefactors such as Henryk Bukowski. The 1903 donation of Emeryk Hutten-Czapski's collection resulted in a radical change in the rank of the Room, which became the repository of the most representative collection of Polish coins, medals and banknotes, featuring a number of unique objects (e.g. Bolesław Chrobry's GNEZDVN CIVITAS denarius or Władysław Łokietek's ducat).
The house is not only a biographical museum, it is also a museum of interiors and to a certain extent an art museum.
The permanent exhibition is housed in the family home of Jan Matejko (1838-1893), the greatest Polish artist working in the genre of history painting, a collector and an enthusiast for monuments, particularly those in Krakow. The old Krakow building (rebuilt in the 18th and 19th centuries) is the place where Jan Matejko was born, lived with his family, created his paintings and passed away.
This Gallery offers the most comprehensive museum presentation of this type in Poland. The area of over three thousand square metres presents selected examples of Polish art of the 20th and 21st century. It is the fifth arrangement of the Gallery (opened in 2005) in the history of the Museum. Everyone will find something for themselves, regardless of their artistic preferences and interests.
The Gallery 'Arms and Uniforms in Poland', located on the ground floor of the Main Building of the National Museum in Krakow, is the second largest exhibition in Poland – after Warsaw's Polish Army Museum – presenting early militaria. The space of over 1200 square metres offers a display of more than 2,000 exhibits associated with the early military from the Middle Ages to World War II.
The Gallery of Decorative Art at the National Museum in Krakow is the largest permanent exhibition of this type in Poland. The displayed objects are arranged in a chronological order from the Early Middle Ages to the Art Nouveau period. The exhibition, with its stylishly arranged interiors and its collection of gold, fabrics, clothing, furniture, ceramics and glassware, complete with a unique collection of musical instruments and judaica, features nearly 4,000 exhibits presented in nine exhibition rooms and two annexes.
Before the opening of the Karol Szymanowski Museum in Villa 'Atma' in Zakopane in 1976, the National Museum in Krakow held an exhibition with musical elements, which presented the life and art of the renowned composer who lived in 'Atma' from 1930 to 1935.